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Review: Shearwater, 'Jet Plane And Oxbow'

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.


Cover art for <em>Jet Plane And Oxbow.</em>
/ Courtesy of the artist
/
Courtesy of the artist
Cover art for Jet Plane And Oxbow.

Officially, Jet Plane And Oxbow is Shearwater's ninth studio album, so it's fair to expect a tapering-off of ideas at some point, to assume that 15-plus years of recording and touring would begin to drain the vitality from Jonathan Meiburg's grandiose and ambitious compositions. After all, Meiburg has plenty of other creatively fulfilling projects to distract him, such as writing (he contributes to the literary magazine The Believer) and ornithology (his master's thesis focused on a subspecies of falcons common to the Falkland Islands, which he says is also at least partially the subject of his upcoming book). So Meiburg could be forgiven for letting his busy mind wander.

Yet he sounds as focused and intense as ever on Jet Plane And Oxbow, which is full of rock songs that churn and clatter with force, invention and mystery. Meiburg has always surrounded himself with impeccable collaborators, both within and outside Shearwater, and here he particularly benefits from the album's percussionists: Drummer Cully Symington and multi-instrumentalist Brian Reitzell combine to lend Jet Plane And Oxbow much of its propulsive and discomfiting energy (check out the positively motorik "Radio Silence").

Fussed-over sounds abound — one track finds room for both synthesizer and dulcimer — which helps render Meiburg's songs both unsettling and majestic. The terrific "Quiet Americans" checks many of the band's boxes right away, as the synths peal through static, while Meiburg's vocals bark, swoop, soar and swoon in tune with the moment. From there, the palette expands and contracts to include booming, stadium-sized urgency ("A Long Time Away"); a persistently rumbling, exploratory epic worthy of Wilco ("Filaments"); and a ballad that sneaks in some of Meiburg's favorite themes ("Wildlife In America"). Of course, that big, elastic voice remains at the center of these songs, but so too does a mandate to fill the surrounding air with big, bold ideas.

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Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)
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